SMALL WHITE SPACE

Posted in Uncategorized on May 16, 2008 by savagemanners

No writer was involved in the making of this story.  Think of it as just words and imagination coming together.  Think of this as writing taking a stand against writers and their egos.  Who gives a shit who wrote it; it shouldn’t matter.  This is Tim’s story, not the writer’s.  Just this once, let the story, whether you rate it or not, speak for itself.  Let it be just about the writing.  Long live writing.

 

I’m now a small white space like a square of light or a blank sheet.  On my skin I can feel the weight of the whiteness.  It’s cool and smooth and soothing like a balm.  I’m waiting in here to be the me that doesn’t know what all the fuss was about.  Not the me that is distorted like I’m seeing myself through double-glazing; me and a shadow me just to one side.  The shadow me is always ten years older, uglier, more out of shape; a shadow made of the smoke from a part of me that’s on fire.

 

I draw my knees up inside the sleeping bag and wedge the torch between them.  The light bounces off the lid and onto my head, warming my bald patch like a wool cap.  In the mirror I’m holding, the wall behind me, its surface like packed ice, crisp white and crusty.  I press the glass to my chest, not daring to look at myself, not yet; it’s too soon.  Instead I stare at the torchlight till my eyes grow heavy, till I’m not sure if I’m asleep or awake or neither of these.  I want to sleep, crave it but the Seroxat won’t let me.  It teases me with the idea of sleep, my lashes batting at it but the drug pulls it away before I can take hold of it.  Gone, like it was never there, like sleep is a thing that doesn’t exist.  I’m afraid I will never sleep again but then I’m afraid of most things these days.  I’m afraid because in my mind everything really does happen; I really have lost my job, my wife really is divorcing me, I really am suffocating to death in here.  I live in a world where loss is an inevitability, where inanimate objects move of their own free will.  I reach up, fumbling for the gap between the lid and the rim and the piece of wood holding them apart.

 

This morning waiting for my train at Hemel station I saw a youth wearing a t-shirt.  It said ‘If you’re not living on the edge you’re taking up too much space’ and suddenly it was like I couldn’t breathe, couldn’t catch my breath.  I had to come home.  That’s why I’m in here, in this place that feels safe; this place that feels like it’s filled with forever.  I stretch my legs out and press my feet against the end wall, my elbows against the sides and infinity, it pushes back.  In here, tomorrow feels possible, I feel possible.  I rub my eye and feel the suggestion of sleep loosen beneath my finger, a tiny nugget of something prized.  Its sand-coloured solidity is reassuring somehow.  I reach for the plastic container in my shirt pocket and drop it in with all the others.  I have it in mind to make an egg timer with them, which made my wife laugh.  It’s been a long time since I heard Laura laugh; she used to laugh all the time before we married, before the children. 

 

I rest my head against the back wall and close my eyes.  I’m coming back to myself, I can feel it, smell it – hair: greasy, body: sweating.  The sense of being inside myself is returning.  If a hair moves on my body I will know it.  Yes, I’m remembering how to be me again, bringing myself back into line.

 

“Tim?  Tim, are you in there?”

 

Tim.  Yes, I am Tim.  That feels like a name that belongs to me.  I look at my watch.  9 o’clock.  I’ve been in here for twelve hours, twelve hours made up of endless minutes.  I unzip the sleeping bag like I’m removing a layer of myself and manoeuvre onto all fours.  My back and shoulders press against the lid.  I move to stand.  The lid lifts, ratcheting open like it’s inside my spine.  Eventually I’m upright, bathed in the light from the torch at my feet.

 

“There you are,” Laura says.  Her tired face thinks about smiling.  She holds out her hand to me.  I swallow, seeing the bitten fingernails, the redness beneath her wedding ring.  It’s cold in the garage, dark but for the torch and the light coming from the back door behind her.  The children are standing in the doorway dressed in their pyjamas.  Will is sucking his sleeve, half-hiding behind his sister.  Amy is clutching her stuffed monkey, one bare foot resting on top of the other. 

 

“Come on, let’s get you inside,” says Laura, taking hold of my arm.  Through my shirt and fleece I can feel the detail of her fingerprints on my skin; I smile to myself.  Back.  With my other hand gripping the rim, I clamber out of the old chest freezer and follow my wife into the warmth of the house.

 

* *The End* *

Very savage manners

Posted in London, off-beat on May 12, 2008 by savagemanners

Creepy Crawly ~ Suzy Devere

Posted in Suzy Devere, off-beat on May 12, 2008 by savagemanners

It was like Tourette’s in reverse:  “Baby, you’re everything.  Gorgeous and smart, sexy…I bet you even cook.  I love you.”  It was horrifying.

“What am I gunna do with that?” I said, my face pinched with disgust.  “Just grab your shit and go.  I thought we had an agreement.  I should have known you couldn’t keep it together.”

He’d always been a liability, a clinger.  There’s one in every bunch.  Years ago Lucy and I’d been booked for this bachelor party, Park Avenue.  He’d been there, the clinger.  A bunch of fat ass perv. bankers with big guts and fat wallets.   I knew Park Avenue from the inside out but men, except for my dad, were new to me. And Chapin was an all-girl’s school, so that didn’t help.  But the street sense I was missing Lucy had in spades.  One look in her eyes sitting in a booth at a downtown club and I knew all those years of bullshit French, Violin, Soccer and Riding my parents had pushed me into were worthless.  She was thrilling but as I found out later, cheap girls always make you break your own rules and fuck-up your life…but anyway, back to the story (although maybe that is the story?).

Bachelor party, Fatty Clinger.  He’d followed us around all night.  He wasn’t our main concern, and girls don’t work parties to please random guests, but $50 here and there a few times an hour kept him a little closer than the rest.  By the end of the night, Fatty swore he was in love.  He begged us to let his driver take us home.  I wanted to go it alone but knew we’d be saving ourselves time and money by going with Creepy Crawly.  It was a risk I wasn’t happy taking.  We excused ourselves to the ladies room.   Bigger than our apartment, we spread our bags out and tried to come to a decision. We both were drunk and not that quick to start with; two drugged birds in a mirrored cage, fisticuffs.

“He’ll know where we live!” I said emphatically, like the world depended on it.  “And he’s gross.  Did you see the way he ate that cheese?  Licking his FAT FUCKING FINGERS and touching everything! Touching YOU!  Where do these people come from? And he thinks $50 bucks…”

Lucy cut me off.  “What the fuck’s wrong with you?  You just don’t want me to get a regular john out of it.  He likes me and he’s loaded. Don’t you get it, Stupid?” at this she pulled a wad of money out of her red bra and held it in front of my face like a Baptist preacher, pushing the Bible.  “Put your head on!” she slurred, her Lower East Side Latino coming through loud and clear.  “Jesus Christ” she went on “Why do I take you?”

“Because I’m smart,” I said.

“No, Stupid.  Because you’re pretty.” She leaned in and grabbed my crotch hard, nearly ripping my panties and shoving her fingers inside me.  Then she pulled me close and kissed me.  We made out for a while, like we were back at our place already, then remembered Fatty John.

“Let’s get outta here.  I’m so tired,” I said, and I was.  I really, really was. Working since the night before, there hadn’t even been a place to shower between gigs.  And now this bullshit hooker party…

I grabbed her by the hand and out we went.  He was waiting just outside the bathroom door.  He looked even fatter and more disgusting.  Sure, sure, he was the same but in that kind of jarring scene, everyone always looks worse.  That was one of the hazards of the ‘bathroom break’ in the business.  Coming out always meant something worse than going in.  A girl could never get used to it, or at least I couldn’t. The men were always nastier and more demanding, the girls always more insipid and pathetic, and a rabid-kinda-mean working its way in equal parts over both.

Finally out in the hall after saying our goodbyes to the belligerent men, Creepy told Lucy to get in the elevator.  He promised her we’d meet her down in the lobby in a minute.  I shook my head “No” but she smiled and did as he said.  Stuck in a nightmare, I couldn’t run, couldn’t speak, and suddenly wished I hadn’t popped those Valium and had all those drinks.  My heart was beating out of my chest and my neck was starting to sweat.  When he was sure the elevator had gone and we were alone, he got up close.  His breath reeked of cigars and Lucy’s cunt.  “Baby, you’re everything.  Gorgeous and smart, sexy…I bet you even cook.  I love you,” he said.

I never did wake up.  That’s Mrs. Fatty to you…

~~~

Suzy Devere is a prostitute, a drug addict, a Dr.’s wife, a mother, an intellectual, an academic, an athlete, a painter, a drawer, a photographer, a performance artist, and writer.  She’s lived all over the world, but right now lives next door to you.

 

Last generation of pig swilling gin drinking amoebas…~Sean McGahey

Posted in Sean McGahey with tags on May 12, 2008 by savagemanners

Sucking on the sons of some unknown cult

Or

Of some unknown cult drinking amoebas sucking on di sons last generation of pig swilling gin

I and I’re responsible for di classics such as “I’m having my sister’s baby! & I’m a pikny prostitute”, and di one that got a mention on christian radio “I’m attracted ta paedophiles”.
I’m not boasie of dis ya but it generates us a likkle income and di occasional prize. all of our letters get a bad response probably read by people I and I pass in di street. di freakiest replies are from di happy clapping born again christians and scientologists.
every now and again I and I reply ta our own letters and win likkle prizes like a digital camera or $50 ta spend at “di gap”. di ongle downside ta dis ya is that thousands of men and probably a handful of sisters read our fiction but I and I’d never get di recognition I and I deserve or a book deal.
that’s wa mek at tonight’s session I’m gonna suggest that I and I call it quits and possibly try sinting crucial like our own novels or short fiction.
as I light my second cigarette dan strolls in clutching her well read copy of “choke”, she’s an alright sister, di life tall student living off grants and di pittance she makes at kfc. whatever di weather she’s always wearing di heavy black crombie coat and as always she’s wearing her now trade mark tight black jeans and mettalica t-shirt. she flops down opposite & takes one of my b&h and mumbles.
“hey patrick, how’s it going?”
“yeah things are kind of interesting at di moment. how’s work going?”
“shit, that’s how it’s going, although I get all di chicken I want for free.”
“still working on your novel? what’s it called again?”
“it’s called di question is…I actually want ta talk ta I and I about di group, I want ta work on my own shit, I and I know what I mean?”
“yeah I’m glad I and I mentioned that..”
as I started talking a large clap of thunder boomed out above di coffee shop and di rain started lasing down, too which dan shouts “sister that’s fucking freaky!!”
di door swings open and sean stomps in.
“hey pat, hail dan. so what’s going on with dis ya weather?”
dan replies “yeah pretty screwed up”
sean pulls up a chair and takes one of my cigarettes and picks up dan’s “choke”
“wa mek are I and I re-reading dis ya shite?”
snatching it back dan snarls “I like it! that’s di fuck wa mek! I’m not one of those losers that just read fight club”
sean pouts her lips and replies “try reading anything by augustan burroughs or brett easton ellis”
“oh really? I’ll also join di new york times book club like all di other pretentious wankers that read ellis and burroughs.”
at dis ya point I interrupt.
“guys come on calm down; I’ve got an announcement ta make”
I and I both look at I at first not saying anything until sean replies.
“are I and I gay?”
“NO!”

Sam and Me ~ Aimee Lynne-Hirschowitz

Posted in Uncategorized with tags on April 29, 2008 by savagemanners

It smelled awful.  A rank, noxious, decaying-garbage-mixed-with-warm-urine smell –a city smell—and it was rising out of the ground like the mist of London streets in werewolf movies.  It was Madison Avenue and the steam was coming from an open sewer. Men in orange vests, yellow hats and work-boots were drinking coffee out of blue and white deli cups and standing around the hole, looking in.  The wind was blowing north that night, Uptown.  We were walking home after a long religious class, my sixth, three-hour session of learning how to become Jewish. 

Warmer than it had been, I took my coat off and held it over my nose to stop the smell.  Despite the coat, the smell got stronger as we walked closer to the hole.  The wind picked up.  One hand on my pregnant middle (as if to hold the baby from running away) and the other holding my coat over my nose, I nearly lost my balance when I saw him.  Sam Shepard, my hero.  Chelsea Hotel, fucking Patti Smith, his book of short stories, a true genius!  He was walking straight towards us.  There was no one else. He was walking with the wind. He looked straight at me.  In what seemed molasses-slow motion, we passed.  He stared.  I stared.  My friend stared, too.  Only the workmen were left out of the moment. 

When we’d passed each other completely we both stopped and looked back.  Not me and Sam, but me and my friend.  “He stared at me.”  I declared loudly, images flooding my head from some saving-the-farm movie he’d starred in titled  “River something”.  Oh, how beautiful his eyes had been in the scenes where he’d been covered with dirty river mud…

“You were covering your face with a coat.  Of course he stared” my friend said, the words reaching out and slapping me a little from behind.  My thoughts turned to Jessica, his famous wife.  Where was she?  Why wasn’t she with him?  And where was he going alone, walking on Madison Avenue like a lonely old man on a regular Thursday night?  I thought of my favorite Jessica movie, Frances, and how it had disturbed me.  I saw it and hadn’t been able to calm my blood for weeks—the way the people around her made her into a crazy woman when all she wanted was love.  And they locked her up against her will and no one would believe her.  No one was there to help.  And that mother!  What an evil mother she was!  Crazier than anyone else! And deceitful!  She’d ruined her own daughter’s life.

 ”He stared right at me.”  I said again, this time thinking of the recent Vanity Fair photo of Sam, standing in front of the Chelsea Hotel. Then, strangely, I thought of Sandy, who had also lived in the Chelsea Hotel.  I met Sandy at a Narcotics Anonymous meeting in a hospital on the Upper West Side.  That group had been surreal.  In the middle of a man’s “sharing” this woman, Sandy, a complete stranger to me then, had leaned over and whispered did I wanna’ go downtown for an art opening when this blowhard was through?  I was caught up in the man’s story and barely heard her.  The man was crying, talking about his missing lover.  He’d been killed and put inside a mattress in the apartment they’d shared.  Murdered by one of their friends–another junkie–and the man said he had slept on the mattress for a week, almost two, before he found him in the middle of it.  “Yes”, I told her, “I’ll go.”

 So after the meeting we headed down to the Village.  Turned out it was the opening of a photo show about Andy Warhol.  Sandy was in some of the pictures with Andy.  Everyone at the Gallery came over to talk to her.  Everyone seemed to know her.  I was only eighteen years old. I’d never heard of the Chelsea Hotel and the only thing I knew about Andy Warhol was that he had bad skin and white hair.  I wondered whatever happened to Sandy.  Then I remembered Sam.

 “Do you think I should turn around and go introduce myself and tell him that I’m going to send him my novel to read?  Or should I ask him who his literary agent is and send it to him instead because it’s like, less threatening?”  I thought of all the waiters and waitresses trying to get their big break and how maybe it could happen.  How it does happen, sometimes.  I thought about Madonna and how she met the father of her child while jogging in Central Park. Then I remembered how last year I trained for the New York City Marathon in Central Park everyday for nine months and never met a soul. But still, maybe he would like me?  Maybe he would sense just from my one sentence how bright and brilliant my future was going to be?  Why, yes!  Of course he would.  And he would want to facilitate my rise to the top, take part in shaping my career, maybe (hopefully!) even corrupt me lecherously, turning into a worldy sex-crazed svengali and guide.   It does happen, I told myself.

 “I know, I’ll send him my novel and attach a note reminding him that I was the pregnant lady he saw on Madison Avenue and 60th Street, holding the coat over her nose one night in April.  I’ll remind him he was walking Uptown.”  There was a pause. “He was staring straight at me.”

 It was then I realized my friend felt left out, clearly jealous of the attention I’d gotten.  “He stared at you, too.” I said falsely.

 ”That’s because I was walking with a pregnant lady who had a coat on her face” my friend said.

 By 56th Street the smell had gone completely and we got in a taxi.  Inside, the driver smelled of Petrulli.  I stuck my head out the window, breathing in the shit city air and thinking of Sam the whole way home.

Sparkling Pink Sequins ~ Joseph Ridgwell

Posted in JOSEPH RIDGWELL, London, off-beat on April 16, 2008 by savagemanners

It was drinking all night and 6.00am starts that did it. No it wasn’t, it was the crazed supervisor, but the 6.00am starts and hangovers of death didn’t help. I’d done it in England, waking up in the dark, going home in the dark, like some sub-human nocturnal work beast. And here I was in Australia doing exactly the same thing. Now how did that happen? Wasn’t I meant to be surfing at Bondi or playing a didgeridoo in the outback somewhere?
     I was a catering assistant in a small private hospital. In the hierarchy of the hospital the catering assistants were at the bottom, even below the cleaners. Of course the doctors were top of the tree, especially the plastic surgeons. My job was to serve breakfast, lunch and tea to wealthy, but ill people.
     The supervisor, a brick-shaped middle-aged German woman, was obviously crazy. She looked like someone’s mad aunt, or demented cousin, fresh out of the nuthouse. Her first words to me were, ‘In here, the doctors are God, got dat? And I’m ze boss, got dat?’ I got it alright. All the other co-workers were middle-aged women, but unlike the supervisor they weren’t mad. I was the only man.
    Most of the woman did two jobs. They worked the morning shift, 6.00am- 2.30pm and then went to another hospital and worked the evening shift, 4.00pm-7pm. That made it a minimum fifteen hour gig, and they did it everyday.
     Often I found myself gazing at these women and wondering. Were they bionic women, possessed of secret powers, and incredible endurance levels? Strangely I possessed none of these values. I wondered if there was something wrong with me, a basic malfunction of the brain, or born under a bad sign. 
     But back to the supervisor, crazy, blonde, and fiercely German. She had me by the balls from the very first day. She took me to the kitchen and told me to peel a paw paw. I grabbed a knife and was about to start, but the German stopped me dead in my tracks,
‘NOT LIKE ZAT!’ She screamed.
She grabbed the knife and pushed me out of the way. ‘Zis is how you do it English boy’
I watched as she skilfully sculpted that large orange thing, it was like a work of art, a carving of love. Afterwards I was handed another paw paw, the medical wonder fruit, and told to follow her example,
‘NOT LIKE ZAT!’
   Once my senses had recovered from another verbal attack the supervisor instructed me on how to clean work surfaces. I was handed a cloth and a variety of cleaning liquids, but just as I went to start scrubbing another scream shattered my already battered eardrum,
‘NOT LIKE ZAT!’
     Then she showed me how it should be done. She scrubbed the surfaces until she was blue in the face. I was impressed. I thought she was going to have a heart attack, whilst scrubbing. The rest of the training continued in the same vein. I didn’t learn anything, except how it feels like to be shouted at by a mad woman.
     For the first week or so I was late for my breaks. I would get to the staff canteen, breathing hard, sweating, with just enough time to stuff a slice of toast in my mouth, and then back to work. I couldn’t understand it; those women always seemed to make it on time.
     How could they be faster than me, a young man in his prime? On the second week I decided to find out. I pulled one of them aside, a Fijian Indian, late thirties, sexy, always wearing layers of red lipstick.
‘Sabrina how do you guys manage to finish on time?’
‘You still do service like the German bitch tell you?’
I nodded.
‘And do you only do two toast at a time?’
‘That’s the way the Soup told me, do any more and they get cold.’
‘Who cares what that crazy lady say, you toast eight slices at the same time, got it.’
I nodded.
Then Sabrina informed me of all the other timesaving measures necessary to be able to complete the service in time for my own breakfast break. I was shocked,
‘Why didn’t anyone tell me before?’
Sabrina looked at me and laughed, ‘Because we need to know if you have what it takes, otherwise what’s the point.’
I had to admit there was some logic to this reply.
   With the short-cuts the job became almost doable. But it was the 6.00am starts that began to kill me. Most nights I was drinking till two or three in the morning, singing songs, smoking cigarettes, and defying the dawn. I lived five minutes walk from the hospital, but gradually the drinking and early starts began to have a strange effect. I began to lose all sense of perspective and became reckless, even suicidal.
     One morning I woke surrounded by empty beer bottles with a knife in my hand. I looked at my wrists. It could be done easily, just two quick slashes. No more 6.00am starts.
     Then I thought about the mad German supervisor, telling everyone she had doubts about me all along, a weak personality, no gumption. Then there was all those middle-aged women doing two jobs, fifteen hour days, seventy-five hour weeks for years and years. I threw the knife to the floor and clambered into my uniform.
    But something had to give. Something had to happen. And the day came. It was a Monday. That morning I’d eyeballed the roof of my apartment buildings. Ten floors high, concrete pavement, instant death, brains splattered across the road. A white tent constructed, police cordon, an outline of my body drawn where I fell. I headed to the hospital.
     At work the Soup was up to her usual tricks, shouting at her staff, finding imaginary faults, making the job a thousand times harder than it actually was. We were two short, and the German bitch loved it. The power trip working overtime. With two short it was going to be a tough day, and boy did she let us know it. Several times during the shift I had to stop and take a count of ten, so as not to grab her by the throat and throttle her. It was tough, but I managed, somehow.
      The seconds passed like minutes, the minutes like days, the hours like weeks, but after an eternity the end of the shift finally approached. I’d been avoiding the clock all day, but with less than ten minutes to go, I began eyeing the hands studiously.
     Despite being two short, the shift passed uneventfully, no mishaps, minimum fuss. The supervisor was disappointed, deflated.  She revelled in mini-dramas and calamities. She needed to find fault in everything and let others know, that unlike her, they were incapable.
     I was finishing my last task of the day, washing the trolleys down. There was less than a minute to go. Sabrina was next to me, folding serviettes. Although it was almost time to go home, I could feel something in the air, something ominous, a trace of dread in the pit of my stomach.
     I clocked the supervisor. She was tapping a pencil on her desk and looking around. Then I sensed it coming,
 ‘Somebody needs to refill ze zalt an pepper pots!’
Somebody needs to what? I looked at Sabrina. Her ever-present smile had disappeared, her big brown eyes filled with barely-concealed fury.
     The Soup made a beeline to me and put a hand on my shoulder,
‘Ze zalt and pepper pots need to be refilled. You don’t mind to do them do you?’ She asked sweetly, making each word sound like it were covered in huge dollops of honey and maple syrup.
     My head began to spin. I looked at the salt and pepper pots. There were over four hundred of the fuckers. What did she mean clean them? ‘Huh?’
At this the Soup suddenly came alive, eyes twinkling, smile radiating insanity, ‘You empty each pot, one salt, one pepper, den wash out each pot, dry each pot, and re-fill each pot, and then top up with new zalt and pepper.’
Was she serious, was she joking? I looked her dead in the eyes. Nope, there was nothing there, total blankness.
‘What?’
     The Soup repeated the nonsense, sensing victory. Sabrina shot me a worried glance, her eyes pleading with me not to react. I spotted an industrial meat mincer to my left. All I had to do was shove her into it head first, along with the four hundred salt and fucking pepper pots. I bit my lip, counted to ten, and then twenty,
‘Ok.’
The Soup smiled warmly and dusted her hands, ‘Goot, goot, you are a very goot boy, it vill not take longer zan one hour.’
Thirty.
     I resigned myself to the task of emptying the salt and cellar pots, but on the way out the German made sure to have the last word,
‘And remember English, I vill be checking them in ze morning, so make sure you do dem properly!’
Forty and counting.
     Sabrina remained in the kitchen. Everyone else had gone home for the day. She poked me in the side,
‘Don’t let her get to you kid. If you walk off the job, she wins.’
I could see where Sabrina was coming from, but pleasurable images of stomping on the Soup’s head flashed through my mind. I smiled weakly.
‘Come on I’ll help you, we’ll get them done in twenty minutes.’
     We worked fast and with no one else around Sabrina began to relax and even flirt with me. She was married with three kids, a reliable husband, a good man. I began flirting back, the pointlessness of re-filling hundreds of salt and peppers pots quickly forgotten.
     We emptied them, washed them, dried them, and then refilled them. Soon it was over. Sabrina looked at me and I looked at her, and suddenly the connection was made, one of those rare events that perhaps only happen once or twice in a lifetime, and sometimes never. She took my hand and led the way.
      Inside the changing room Sabrina unbuttoned her yellow uniform, revealing black underwear adorned with sparkling pink sequins. The shiny sequins took me by surprise and fascinated me. I mean, despite everything, the gruelling job, the mad supervisor, the endless shifts, Sabrina was still holding something back. A little bit of magic, a little bit of fuck you!

BIG EXIT ~ Melissa Mann

Posted in Melissa Mann on April 1, 2008 by savagemanners

You stand in front of the class knowing that this thing you will do will happen soon.  If you had known it would come to this when you began teaching in the late nineties, you would have stopped while you still had the chance.  But that was over twenty years ago and you are where you are; now it feels like your destiny. 

You stand in front of them wearing a Bioderm bodysuit made from material that breathes like your skin.  Your body is slight, toned muscle sculpted round slim bone.  On your face is a smile, a smile sewn on your face with ugly stitches made of string.  The smile is for the three rows of women in front of you, the twelve obese women standing in the studio like farm animals waiting out the rain in a field.  You are small enough to roam around inside each one of them.  You are insignificant, a minority figure in a new age where eighty percent of women are clinically obese. 

You look up at the squares of blue silence in the ceiling and despite the subdued lighting and the Nutri-air Climate Control System, you want to be elsewhere.  It has always been this way.  The blue light and all that female flesh make you feel like everything that exists in the world is crammed in here with you in this studio.  You want to be outside breathing in real skies, vast oceans lapping your insides.

You ask the class to go to the end of their mats for the roll-down and they obey.  You watch as they gather up armfuls of themselves, hauling their bodies from where they are now to where you have asked them to go.  You cannot see their bones move inside them as they do this and it disturbs you; you can’t help despising them for it.  These women are lost inside their own meat but this thing you will do will help them find themselves.  You realise this is why they have come to you, this is the reason you are here, not to teach them Pilates but to help them start themselves again.

You lead the women through the roll-down, walking your fingers down spines you imagine must exist somewhere in the spongy folds of their backs.  The class is bent over itself now, pushing down on the sprung floor.  You watch, appalled.  How you hate the fat, the pictures you see in the fat – the ugly shapes, the grimacing faces, the buried worms.  Most of all though you hate the fat because it is alive.  You look away, the taste of lard in your mouth, your tongue caked with it then you give the instruction for them to roll up.  Eventually they are upright, staring at you, their moon faces flushed from the inversion and you ask yourself how, how the simplest of movements can excite so much sweat from their glands.  You wait for the Nutri-air System to take the smell away

A voice, firm, decisive.  It is yours.  You can hear yourself speaking to them, telling them that you don’t want to hurt them anymore than they have hurt you.  And they have hurt you, over the years.  They have hurt you by getting bigger and more immobile and less flexible despite your best efforts.  You have made a life’s work of these weekly one hour classes and yet you realise now that it means nothing; you have wasted your time.  These women have done nothing but feed off you for years; you can feel them breathing you in every time you exhale.  You press a hand to your face and suddenly you feel like you are growing old in their puckered, stretch-marked skin.  An anger that is bigger than you, takes you over.  It presses on your temples, burns your throat, pushes at your eyes trying to get out.  If these women had any respect for you, if they felt any loyalty towards you at all, they would do the decent thing and die.

Disgusted, you turn your back on them and confront the mirror.  In your left hand, the vacant gun.  On your face, a smile; you love this gun.  How beautiful it feels in your hand, like a cool glove.  And this is no ordinary gun.  No, you have designed this gun yourself.  It is a gun designed by you to kill with precision, to kill beautifully.  Your hand will speak to these women now, your hand will tell these failed bodies what they need to hear; your hand will talk to them in bullets.  You pull out the gun in your empty hand and point it at yourself in the mirror and in that moment you know, for the first time in your life you know exactly who you are.  And you are not alone in this knowledge because the woman behind you in the first row, she knows who you are too.  You can see it in her eyes, brown eyes that suddenly cannot meet yours.  She looks at the floor, pulls her shapeless black t-shirt down over the rolls of her stomach, clutches the fleshy wings of her upper arms.  Of all the women in the room this one has fed off you the most.  Questions, always asking questions, asking for help, always wanting something from you; you could never give her enough.  You turn to face the class, slowly, deliberately, casting your eyes around the room but really you have already decided; she will be the first. 

The women stare back at you like theatre-goers, expectant, waiting to be entertained and you smile because you know you are about to give them the performance of a life-time.  Adrenalin is coursing through your bloodstream like lust.  Cut you now and you would bleed excitement, anticipation.  The adrenalin is making you shake but it is a shaking that is somehow outside of you.  When you raise your gun hand it is surprisingly steady.  You are aiming straight at her, the woman you have decided will be first.  She can feel the cold barrel scorching her forehead even from ten feet away; the fear you can see in her eyes tells you this. 

The woman dies as beautifully as you imagined she would.  The bullets burn kiss-shaped holes into her forehead, her chest, her belly.  In fact there is beauty and precision in the way they all die.  You see the bullets splintering hair follicles, splitting cells as you shoot them, one after another.  And you enjoy it, seeing these women falling apart in front of you like this.  You enjoy it because it feels like you have been a part of this falling since you began teaching them all those years ago.  This is how it was meant to be.  It was inevitable.  So you keep on firing, on and on until every last one of them is lying on the floor.  But still you don’t stop.  You keep on shooting these women, shooting their fat onto the walls until eventually it feels like you are firing at ghosts.  And so you lower the gun, letting out the breath you have been holding since you brought the gun to life. 

The studio is deathly quiet now except for the gun whispering, kiss-shaped smoke rings floating in the beam from the glaucous spotlight above your head.  Curiously the gun no longer feels like it is in your hand.  It has become something other, a thing in its own right, a thing that needs no-one for it to exist, to fulfil its destiny.  You can hear a slow rapturous handclapping but you are the only one in the room left alive and when you look at your hands they are wiping themselves down the thighs of your bodysuit.

“It’s all your fault,” you say and as you look round the studio at the bodies on the floor, you realise this is something you have known about yourself your whole life.  Just as you know that you have spent your whole life preparing for this death.  You grab your things and stride across the studio, struggling to open the door.  Eventually it unseals itself and breathes you into the corridor outside.  You walk away from the studio towards the fire exit, a security camera tracing your every step but you are unaware of this.  You are looking at your hands.  You are looking for the gun, for your beautiful gun.

“Did I just do that,” you ask yourself and you answer.

~~~~

Melissa Mann is a writer and the founder/managing editor of litzine Beat the Dust.  Her stories and poems feature in lots of online and print literary publications (Laura Hird, Dogmatika, Straight from the Fridge to name a few) so it can only be a matter of time before the Bradford Telegraph & Argus finally succumbs and accepts a piece from her.  For more free radical writing from the Bradford 1, go to the holding cell of your nearest police station or failing that www.melissamann.com

The Hotel that Michael Hutchence Died In ~ Joseph Ridgwell

Posted in JOSEPH RIDGWELL, off-beat on April 1, 2008 by savagemanners

It was a tough time, a time when desperate men do desperate things. Blondie was working in Shakespeare’s pies on the main drag, but I was off work with a broken arm. As a casual hospital employee I wasn’t entitled to any sick pay, and as an illegal immigrant I wasn’t entitled to any welfare either, so I was dead broke.
      Luckily I was still able to eat. A perk of Blondie’s job was that he got to take home leftover pies. At the end of each shift he returned to the flat dragging a bin liner’s worth of assorted pies and pastries behind him.  I’d jump up and stick my good arm inside and grab a pie, or a croissant or a sausage roll, or something. So although broke I wasn’t starving, in fact I was putting on weight.
     One night Blondie came home without the bin liner. I was sitting in an armchair nursing a longneck of Toohey’s and feeling peckish, despite the fact I’d been living off stale pies for over a week,
‘Where’s the bag, I’m Lee Marvin?’ I asked.
Blondie marched to the fridge, grabbed a cold one, and collapsed into an armchair opposite,
‘I got the tin tack.’
I felt a small panic well up inside me. Did this mean no more free pies?
‘What for?’
Blondie flipped open the beer cap with the use of his teeth and took a large swig, ‘Foul and abusive language.’
‘Huh?’
‘These drunk pricks come in don’t they? You know rich Aussie types, pissed as. And well, I was tired and they were annoying. And when one of the cunts starts mocking my accent I told him to fuck off.’
‘And the boss heard ya?’
‘Jinxed or what? The freak was standing right behind me, nightmare scenario.’
‘Shit, now we ain’t got a breadwinner in the house.’
‘I know, what the fuck we ganna do?’
      Strangely, for the last few days, I’d been thinking about just such an eventuality, and what with my broken arm and everything,
‘You know I heard an interesting convo on the bus the other day.’
‘Tell me everything,’ said Blondie.
‘Ok, it’s a long, long shot, but before you find another job, I think it’s worth a try.’
Blondie was confused, ‘Whaddya mean? Before I find another job?’
I raised my broken arm in silent protest.
‘Ok, ok, but stop talking in riddles?’
       I stood up and grabbed another cold one from the fridge,
‘Listen, it could be total bollocks or an urban myth, but the other day when I was coming back from Shark bay…’
At the mention of Shark bay Blondie’s ears pricked up and he cut me short,
‘Can’t work, but can go to the beach…’
‘Shut up and pay attention. There were these two young Scottish geezers on the bus.’
‘Yeah?’
‘Yeah, they got on at Double Bay and I overheard everything.’
‘And?’
‘This is the interesting bit. They were talking about the Ritz Carlton hotel and rich Jewish women.’
‘What the fuck?’
‘According to them they’d just met two milfs in the hotel. It was all pre-arranged.’
Again Blondie was confused, ‘Huh?’
‘I’m talking gigolo action comrade, getting paid for sex!’
Blondie spurted a mouthful of beer onto the carpet, ‘Are you serious?’
‘Totally, these guys were genuine. And they were just ordinary looking geezers, nowhere near as handsome as me.’
‘Or me?’ Asked Blondie.
I gave Blondie an odd look and then continued, ‘Apparently the hotel is a well known pick up joint for bored socialites looking for some toy boy action. All we’ve got to do is go into the bar and wait for a wealthy divorcee or bored wife to walk in, and give us the sign.’
‘What sort of sign?’
‘Fuck knows, but there’s always a sign in situations like these.’
‘Shit, it sounds like something out of Midnight Cowboy!’
I leaned over and clinked my bottle against Blondie’s, ‘Might as well get drunk to celebrate our new venture a?’
Blondie winked, ‘Fucking A!’

I awoke the next day, sometime after noon, with a raging hangover. Blondie was still asleep, crashed out on the living room floor in the recovery position. As I stepped over his prostrate body to get to the toilet, the urban myth of meeting rich Jewish older sorts floated through my bleary head. Maybe it was true, I thought as I took a healthy beer shit. Who knows? It could be. Double Bay was only a short bus ride away and I reckoned there was no harm in trying.
    After wiping and flushing I returned to the living room and gave Blondie a swift kick in the gut, ‘Come on, get up, we’re going to Double Bay to hook up with some loaded socialites!’
Blondie jumped up with a start, ‘Now ya talking!’
        We left the flat and stepped out into the bright yellow light of a perfect Sydney day, weather wise. I turned to Blondie, 
‘Right let’s hit Double Bay, find the hotel, and ave a few hairs of the dog.’
Blondie smiled from ear to ear, ‘Then wait to be chatted up by sexy, mega loaded, old Jewish birds!’
‘Bring it on!’
       By the time we got to Double Bay the sun was beating down with an unusual ferocity. Being both hung over and broke we were jittery, and as everyone knows hotels drinks are expensive. I decided the best ploy was to pick up a six pack from the nearest bottle shop and drink it to calm our nerves.
     Once we had the booze we retreated to a park and sat on a bench. As we sat there, drinking in the burning sun, I had a rare moment of clarity. What the fuck was I playing at? Imagining I could walk into a five star hotel and pick up a wealthy lady who would then pay me to have sex with her. Was I off my nut? As the doubts came thick and fast I told myself to think positive.
     Once the six-pack had been taken care of we brought another, and by the time we rolled up to the entrance of the Ritz-Carlton we were both boozy,
‘Did you know this is the hotel where Michael Hutchence topped himself?’
Blondie stepped inside a giant revolving door, ‘Who?’
I waited for him to reappear, which he duly did, ‘Michael Hutchence, lead singer of INXS. The geezer who inexplicably dumped Helena Christensen for that old minger Paula Yates!’ ‘Yeah, I remember. Geezer must ave lost it!’
‘Maybe the Yates had a magic vagina.’
   This time we stepped inside the revolving doors together,
‘Magic vagina or no magic vagina, there’s no way I’d swap a Danish super model for Geldof’s sloppy seconds.’
There wasn’t much I could say to that because Hutchence’s wonky decision defied all logic,
‘Let’s hit the bar and try to act normal.’
    We walked into an empty bar, not a rich Jewess in sight or any women for that matter. Not that we were sure what a rich Jewess looked like, maybe a cross between Sophia Loren and the older bird in the Graduate?
     When we tried to order drinks, we didn’t get very far. I don’t think the tee-shirts and thongs helped much, or the broken arm, or our boozy demeanours. Within seconds four serious looking hotel staff approached,
     ‘Excuse me gentlemen, but are you residents?’ The smarmiest looking of the uniformed quartet demanded.
‘Residents?’ Queried Blondie.
I stepped in to sort matters, ‘Yes, we’re in suite 270,’ I mumbled.
The smarmy fuck flashed his colleagues a knowing smile,
‘I’m sorry sir, but there is no room 270, I’m afraid I must ask you to leave.
    Outside we stood on the exposed pavement and wondered what to do next,
Blondie began grumbling, ‘Weren’t any Jewish birds in there anyway.’
‘Maybe they only go on certain days,’ I wondered allowed.
Blondie shrugged his shoulders and licked his lips, ‘Could do with another beer.’

‘Yeah so could I. Back to the Cross then?’
‘Let’s go.’

POLAROIDS ~ Tom Leins

Posted in Tom Leins, off-beat on March 31, 2008 by savagemanners

She stood completely naked in front of me except for the little pair of white panties in her hand. “He used to pay an extra five bucks to take close-up polaroids of my pussy afterwards.” I turn my back on her and carry on rooting through her medicine cabinet. “I’m not him, sweetheart. I’m not him.” Fuck. No more of those damned horse pills. She walks towards me and places her hands on her hips. Simultaneously sweet and threatening. “Whose blood is that on your shirt, Queenan?” I glance down at my ruined shirt and shrug. “No-ones.” More blood – my blood – throbs in my temples. I take two aspirin and wash them down with a cup of Mexican water. “You shouldn’t drink that water, Queenan.” I shouldn’t do a lot of things, but I still do them. I walk through to the bedroom, remove my wingtip shoes and lay back on the bed. Wordlessly, she joins me. I smoke one of her brown cigarettes but my head still feels swollen with disaster. The hum of the air-conditioning unit soundtracks my torpor. I can’t afford to breathe in this town. Next to me, she lies naked, at peace. Her feet are gutter-grimy, her psyche is a vague smear informed by airport novels and narcotic over-stimulation. I close my eyes, but my memories are just like scars. Her platinum wig lays askew on the pillow. I can see the brick-coloured hair underneath. I reach across and then pause. In the corridor I hear canned gunshots and slurred obscenities. The gun shivers in my hand. The door-frame cracks. Her drugged smile disintegrates. The end is suddenly beautifully inevitable.

~~~~

Bio: Tom Leins is from Paignton , UK . His short stories have been published in Texts’ Bones, Open Wide Magazine, Orphan Leaf Review, Interlude and Front&Centre + online at 3am Magazine, Dogmatika, Straight From The Fridge and Muzzle Flash Fiction. He works as a film critic and is currently hard at work on his first novel Thirsty & Miserable. Get your pound of flesh at www.myspace.com/tomleins

Getting in with Ganymede ~ K.M. Dersley

Posted in K.M. Dersley on March 17, 2008 by savagemanners

After a few drinks at the Crossways Hotel, Mog Probert and Ved Shurston had been absorbed into different groups.  Ved tagged onto a bohemian scribbler called Lionel.  Lionel was keen to get some free wine at a Children of Ganymede gig he’d heard about, and when he slipped away Ved followed. 
     At first when they got to the open-air Handshake Meeting of the self-confessed cult they felt disappointed. These didn’t seem like ravers.
     A platform had been set up and provided with a microphone and speakers. Facing the platform were a dozen rows of plastic bucket seats sparsely occupied by embarrassed-looking townsfolk.
     However, there were a number of attractive chicks keenly asking and answering questions, as if to put people at their ease.
     Lionel and Ved were greeted by Marsha, a slim brunette in her twenties with big white teeth and carefully applied make-up.
     ‘So glad to see you here,’ she said to Lionel. Marsha was the one who gave him the flyer he’d shown Ved earlier.
     ‘Yeah,’ said Lionel, ‘we’re interested in plumbing the mysteries of—
well, the things you know about.’
     ‘Wonderful!’ she replied. ‘That’s the sort of attitude we relish—
it augurs well for our scheme.’
     Staring deep into Ved’s eyes she said, ‘It would be marvellous if we could welcome you both into the Movement this very night.’
     As if to stress that it was not a ‘Revival Meeting’ that the Children of Ganymede were holding, a table had been brought out at the back of the audience and supplied with free wine and a bowl of powerful punch. You took a paper cup and helped yourself.
     Soon the little stretch of parkland beside the Tannaber Forest was filled with two or three hundred townsfolk keen to find out about this sect with their liberal and ‘profoundly humanistic’ philosophy of life and death.
     In accordance with the Gannies’ usual practice, they had agreed with the Town Council that there should be two or three boys in blue present, with back-up on call.
     It had just begun to get dark when two or three fellows beside the stage shouted:
     ‘He’s here! He’s here, the Leader!’
     A man in his fifties, ‘distinguished’-looking in a loose light blue jacket with silver buttons and white trousers, ambled to the microphone stand.
     ‘Hello townsfolk of Hythe! I’m Tad Lubbock, I’m the Sonnum Son and I have to tell you how GLAD it makes me simply because there’s so much to SHARE with you tonight! Blessings! Blessings!’
     There was cheering and applause, mostly from his followers, but the townsfolk were getting the idea too.
     ‘The Sonnum Son!’ shouted Marsha. ‘Tad Lubbock, the Sonnum Son!’
     ‘What’s she on about?’ asked Ved.
     Marsha turned to Ved and began to sing:
                        ‘He’s the son of a son of a Ganymede chile…’
     Lubbock knew how to get intimate with his audience and   ‘milk’ them. His spiel seemed fresh and unprompted—he had a technique.
     ‘We say come all ye, and in places our words may seem to resemble those of the Christians and other sects. Why is that? Because, my friends, the prophets and teachers who proclaimed Christ were often devotees of the Ganymede faith before they turned along that other Way.’
     Here the Sonnum Son shook his head with an enigmatic grin wreathing his lips.
     ‘Do not mistake me, my friends, the Christian life is a good Way for those who can keep to it, nor is it impossible to be a Christian and a good Child of Ganymede. That road is perilous and narrow—and with many a twist—but it is possible to tread.’
     ‘What’s this about the Ganymedes having some sort of a mystery up their sleeve? What’s the “mystery”?’ shouted an old woman at the front. A couple of the attendants seemed irritated, but Lubbock wasn’t fazed.
     ‘If you make your commitment tonight, ma’am, you will have started on the course that will enlighten you. If I could tell you what it all is in a sentence it could not be the true enigmatic Mystery nor would you recognise it nor be ready to receive it.’
     Shouts of ‘Amen, brother!’ were heard.
     ‘Tonight, after my few words of welcome, there will be a celebratory discotheque held over yonder in the top room of the Final Anchor hotel. Complimentary and free of charge, of course. We hope that many of you will attend to sample the delights of “Getting In With Ganymede”. There you will truly be able to rock and writhe, my friends.’
     ‘Hey, Lubbock,’ somebody shouted, ‘isn’t it true that the original Ganymede was a pansy?  And what’s all this about you putting people down in a hole to learn your so-called Mystery? You put a piece of fruit in their hand, chuck blood and guts on them and then, and then–’
     The man was speedily ejected from the gathering and had his arse kicked by two tall ushers.
     ‘Don’t waste your belief on the losers,’ chuckled Lubbock, caressing the microphone. ‘You-all want to be in with the Good Guys, right?’
     As he spoke music began to play, quietly at first. A funky drum beat and bass evolved into a beguiling melody, issuing side by side from the speakers with his words. Lubbock flexed his voice, playing with the beat. It made the audience feel at home but also nostalgic.
     ‘Why not make tonight the night?’ he asked, and the wires hummed with sincerity.
     ‘Careful you don’t turn, Ved,’ said Lionel. ‘I mean, let’s be honest, we came here tonight out of curiosity and maybe to pick up a couple of likely pieces of stuff—like that Marsha, right? But they suck you in, man, it’s like the song of the Siren.  When this bloke starts to croon his lullaby, and with the music of the mountains behind him, I for one start to get ready to sell my portion for sixpence.’
     ‘I know what you mean,’ said Ved, ‘I was always too susceptible for my own good, and here we’ve put ourselves like putty in the hands of the master—and so have that lot, look!’
     Broad smiles were to be seen throughout the audience; people were linking arms or embracing. A swaying movement had begun in the crowd soon after the music started.
     ‘It’s getting dark now,’ said Lubbock, ’so may I suggest that we continue our revels at the wonderful and luxurious Final Anchor hotel over the way? If you can’t make it tonight, we will hope to see you another time.’
     With a wave of his hand Tad Lubbock disappeared amongst a group of the faithful who fought each other to get closer to the Sonnum Son and find out what they could do to gratify his smallest wish.
     The audience had their own wishes to attend to, and though some decided they had imbibed enough of the teachings of the Children of Ganymede, a fair portion of the crowd, including Ved and Lionel, made for the Final Anchor.
     The top floor of the three-storey building had been given over to the sect for the evening. Posters and wall-hangings which showed erotic classical goings-on were visible in the light of banks of candles. More wine and punch had been set out on a table.
     A thin man, elderly but dressed in loafers and designer jeans and t-shirt smiled at Lionel and said soothingly, ‘Ooh, you’re a lovely little queen, you are.’
     This fazed the long-haired scribbler and he was ready to turn and walk on out.
     ‘Fuck it, I’m not like that,’ he told Ved. ‘Even if I was I wouldn’t have anything to do with him.’
     ‘In that case you shouldn’t have mentioned earlier on that you could sell your portion for sixpence,’ chuckled Ved.
     One of the ushers from the evening’s talk materialised alongside Ved and Lionel and he had a few words with the gay man along the lines that they had warned him about this before.
     The old boy shrugged and went to sit at a table in the corner, turning his face away. They saw later that he had been crying.
     If Lionel had entertained hopes about Marsha he was speedily put right. There was a dimly-lit side room stuffed with couches and divans.  Many celebrants had already found a partner and were enjoying the facilities.
     Lionel stood and watched as Marsha entered the love parlour hand in hand with an usher—one of the brawny individuals who had dealt with the heckler. She gave Lionel a little smile and a frown as if to say it had been a prior engagement, otherwise things might have been different.
     ‘Thought you had a chance, did you?’ asked a short fellow with a pipe full of smouldering dope. 
     Music was playing on the stereo—songs from the same band whose music had rounded off Tad Lubbock’s talk. The tunes had an insidious beat. The volume was low, and drawn-out groans and gasps could be heard from the other room which was getting crowded.
     Out of embarrassment or in order to find the courage to go next door, those in the main room were guzzling the wine and punch.
     Ved saw the profile of a man outlined against the candlelight. A tall fellow, replenishing a paper beaker with the powerful fruit concoction: Mog Probert.
     ‘Mog! Mog, baby!’
     Ved introduced Lionel and Mog explained that he had just arrived with a companion after being told about the Gannies’ festivities. His friend, he said, had just lucked out with a cute young Ganymede missionary.
     ‘Yeah,’ he said with a chuckle, ‘it was just as if no one else mattered. She wanted him, boy, and she took him. They’re in there now on one of them sofas fuckin’ and suckin’. And good luck to ‘em and no crabs.’
     Lionel was staring at Mog.
     ‘Your friend will let me know when he’s seen enough, will he?’ said Mog.
     ‘Excuse me, Mr Probert,’ said Lionel, ‘but I didn’t know who you were before.  You see, the shock of meeting you in a social situation—I mean, one of the heroes of the old Trades Union Council Gladiatorial…’
     Mog shook his head and swore under his breath. He hated these scrap book compilers and hoarders of photographs.
     A couple of young fellows wearing trousers at half mast and white socks had discovered they were kindred souls in a narrow-minded world that could well do with a sizeable gob of the spirit of Ganymede.  Giggling they disappeared hand in hand amidst the dim-lit upholstery of the Place of Assignations.
     Lionel shook his head, perhaps thinking of the old fellow who would have liked to mark his card just after he came through the door. Things brightened considerably though when a lanky girl with long brown hair and a spiteful, enticing look on her face came up and took his hand, saying, ‘Cuddles.’ She led him into the love den.
     Wondering where Ved had got to, Mog slugged his cup of punch back in one and smacked his lips. He thought he’d received the high sign from a lady of mature years in a thin white dress with lace at the cleavage. One of those grey-haired types who still have youthful faces and stacked bosoms. But if she had intended to accost him she changed her mind and disappeared down the stairs.
     Then Mog heard a humming and a crooning. It sounded like a tune he recalled from morning prayers at school years ago. Odd that the Ganymedes should have taken over that old chestnut, he thought. Then he realised that the singing came from outside the hotel—and also from up the stairway. It was a crowd of muscular Christians bent on showing their displeasure with this cultish crowd while the sins were still going on. A half-dozen stalwart members of the Inner Hythe Christian Endeavour group, male and female, burst into the room.
     ‘We’re not going in for assault, remember, we’ll just smite a little,’ said a stocky greyhair in the front ranks.
     ‘We’ll learn them to repent, smite or no,’ said another. Two who looked like rugby players got hold of Mog, who explained that he was not like the carnal crowd next door, though they had tried to get him to go into the place of fornication.
     ‘Ye’re absolved brother, and you show true meekness so you’ll inherit,’ said the elder, patting his back. ‘Go with God.’
     Mog did that, as sounds of a steady and determined furniture-smashing free-for-all started to emanate from the love pit.

~~~~~

UK writer K.M. Dersley runs the Ragged Edge website
(www.raggededge.btinternet.co.uk) and has three poetry chaps
out from Bill Shute’s amazing Kendra Steiner Editions of San
Antonio, Texas.  Latest a collab with Adrian Manning: ‘Next
Exit: Six’.